Where you’ll be next. Feedback on the video they sent from Saturday. A live hour when they need one. Your private rate. You decide what’s in it, they pay you monthly for it, and none of it lives in a DM thread any more.
Pick a time that works. I’ll show you what’s built, and you tell me where it falls apart for how you actually run things.
What members get, every month
Notes pinned to the second, on any video you send.
4 a monthEvery date I’m teaching, in one place.
AlwaysChoose an hour from my Abrazo calendar.
IncludedApplied when you book me, nothing to enter.
AlwaysPick the pieces, set the numbers, and change your mind next month. Your dancers see whatever you pick as one thing, your circle. Here’s what can go in it.
A dancer films a social on Saturday night and sends you the video, whether it is one song or a longer recording. You watch it when you have time and leave notes pinned to the exact moments they should revisit. The notes stay with them.
This works because the review does not require another appointment. The dancer sends what actually happened, and you respond when you have room for it.
If a festival or weekender recorded your class or masterclass, grant members access to the ones you choose. They watch them in DanceSanctum, the same place dancers use for event videos and the media they’ve collected.
See how DanceSanctum handles videoEvery date you’re teaching, in one place, so the people already paying you attention aren’t scrolling Instagram to work out where you’ll be. They’re the ones who travel for the workshop.
When a video review is not enough, offer an hour through your Abrazo calendar. It reserves the time and sends both of you a confirmation. The first version stops there.
Members book you cheaper, and the rate applies when they book. There’s no code to remember or math to do at the door. A participating organizer can offer your members an account-bound event rate too.
A monthly drill. First pick of workshop spots. The playlist you actually use. Write your own lines, and they show up on your page exactly as you typed them.
None of them know about each other, and none of them can tell you who’s paid up.
The part that compounds: everything a dancer gets stays on their own Abrazo account. Someone who still has every note you gave them has a reason to come back to you.
Communities starts with a direct membership between one artist and one dancer. Abrazo gives that dancer a portable home for every artist they learn from, then gives artists a way to shape how their communities connect.
Dancers learn from several people, travel between scenes, and carry ideas from one room into the next. Most membership products treat every artist relationship as a fresh start. Abrazo can represent the network dancers are already building in real life.
That is the direction: connected communities with artist control and dancer consent. We are still designing the exact gift, eligibility, funding, capacity, and refund rules before turning those possibilities into product commitments.
You already have tools that do these well. I’d rather spend the pilot on the parts they cannot connect.
These are deliberate pilot boundaries. Tell me on the call which one actually matters for how you work, and it moves up the list.
I’m building the first version around how a few artists actually work. The first artists will have my number the whole way through. If that sounds like you, the fastest first step is twenty minutes on a call.
Twenty minutes. I’ll show you what’s built, you tell me where it breaks for how you actually work, and we’ll both know if it’s a fit.
Rather write first?
What Abrazo charges for this isn’t decided yet. I’ll tell you the number before you take a dollar through it, directly.